Posted in Cineform, GoPro, RAW, Sony Vegas | No Comments » Not that I’ve yet tried such chromakeying, RAW or CineformRAW -based.
#Does compressor 4.4 make two video tracks from fcpx full#
I expect I will use CineformRAW to replace my existing RAW footage where I want to maintain full 2.5K resolution, gradeability but don’t have chromakey-level demands on resolution around edges etc. I wonder, is there a way to get it to produce 12-bit? The CineformRAW generated by RAW4Pro in its setting, according to its button, produces 10-bit Log, which QuickTime player reports as as “Millions+”. Vegas did not recognize the original RAW (CinemaDNG) – I tried various ways, including Vegas’s Device Explorer, so CineformRAW is a useful workaround for this. The file looked good in Resolve where I was able to grade it ok and of course could have used it to encode MOV-H264.Įqually the CineformRAW imported fine to Sony Vegas Pro 12, where I could grade it and export to MP4-H264 or whatever. Using that solution, I obtained a 5.5 times reduction in file size, for a few-seconds test-clip where the color-chart was handheld against the landscape at the top of the hill.
That utility gets you the correct colours and proper audio (‘Studio’ does not otherwise). …you need not only GoPro Studio Premium (which gets you the CineformRAW codec) but also a little front-end utility (that you use instead of Studio Premium) called RAW4Pro.Following on from where basically I discovered that
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